![]() ![]() The wrestler reaches down to pull the opposing wrestler up slightly, sits on the opponent's back, and places both of the opponent's arms across their thighs, usually locking at least one by placing the arm in the crook of their knee. The wrestler begins the hold by standing over a face-down opponent. Head, face, chin, and shoulder stretches Camel clutch Tajiri applying a camel clutch to Rene Bonaparte ![]() Likewise, chokes are usually not applied to the point where they cut off the oxygen supply to the opponent's brain. In public performance, for safety's sake, stretches are usually not performed to the point where the opponent must submit or risk injury. Chokes, although not in general stress positions like the other stretches, are usually grouped with stretches as they serve the same tactical purposes. Many of these holds, when applied vigorously, stretch the opponent's muscles or twist their joints uncomfortably, hence the name. Stretches are usually employed to weaken an opponent or to force them to submit, either vocally or by tapping out: slapping the mat, floor, or opponent with a free hand three times. Moves are listed under general categories whenever possible.Īn element borrowed from professional wrestling's catch wrestling origins, stretches (or submission holds) are techniques in which a wrestler holds another in a position that puts stress on the opponent's body. Some wrestlers use these holds as their finishing maneuvers, often nicknaming them to reflect their character or persona. This article covers the various pins, stretches and transition holds used in the ring. ![]() Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission. ![]()
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